Redefining Humanity: The Intersection of Technological Advancements and Human Essence in Ridley Scott’s Blade Runner"In the realm of visual culture, cyberpunk films like Blade Runner serve as rich canvases for exploring ‘Otherness’, a concept involving characters or features that deviate from human or societal norms due to technology or dystopian settings. Drawing on Donna Haraway’s idea that a “cyborg is a cybernetic organism,” the film challenges notions of identity, ethics, and social constructs. The film often minimizes human individuality to highlight ‘Otherness’ and elevate posthuman entities in tech-driven societies. The genre oscillates between utopian and dystopian elements, injecting hope and possibility into human existence and driving societal reevaluation. This oscillation provokes key questions: What makes someone ‘genuinely human’? Can we emulate this when creating ‘more human than human’ replicants? Being deemed a copy or unreal can be oppressive, intensifying the urgency of these inquiries. As Oscar Wilde noted, “progress is the realization of Utopia,” but does this also feed dystopian implications? This abstract provides a framework for scholarly investigations into Blade Runner, focusing on paradoxes like the human-replicant contradiction and the role of technology ... "